The clean, sharp focus of Modernist photography, championed by Alfred Stieglitz early in the twentieth century and later by Szarkowski, proposed instead that the formal qualities of a photograph qualified it as art. To what degree this awareness came from photography, and to what degree from oriental art, is still open to study. Email required Address never made public. Man, Szarkowski was a genius. TFAO does not maintain a lending library of videos or sell videos.
The compelling clarity with which a photograph recorded the trivial suggested that the subject had never before been properly seen, that it was in fact perhaps not trivial, but filled with undiscovered meaning. They were made for various reasons, by men of different concerns and varying talent. This exhibition included photographs, which were selected to show how photography was a unique art form. It’s difficult to over-estimate the effect that Szarkowski’s six page introduction had on me. As lovingly drawn countless thousands of times by Greeks and Egyptians and Persians and Chinese, and down through all the battle scenes and sporting prints of Christendom the horse ran with four feet extended, like a fugitive from a carousel. To find out more, including how to control cookies, see here: Aug 08, Sharon rated it it was amazing.
Small and Shapely Pleasures in Contemporary Photography Sarah Kaufman and Rebecca Robertson The invention of photography provided a radically new picture-making process—a process based not on synthesis but on selection. While so much new photography seems to engage abstractly, ironically, at a distance, the photographers in this exhibition find meaning in direct, personal experience. A well curated exhibition. You are commenting using your Google account. Jul 05, Joe rated it really liked it.
Photographs aren’t possible to describe so the text is brief, but it is invaluable in understanding them. I wish I could give esxay more stars.
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The Photographer’s Eye by John Szarkowski
It is too true to be Juliet. John Szarkowski’s introduction to William Eggleston’s Guide is a brilliant photogra;hers of writing, and was partially responsible for inspiring me to learn more about the art of photography.
In the days of slow films and slow lenses, photographs described a time segment of several seconds or more. TFAO does not maintain a lending library of videos or sell videos. May 17, Steve rated it really liked it Shelves: Refresh and try again. This observation is closely related to the initial one regarding photography as a process of selection rather than synthesiswith framing being a part of the process of selection.
Oct 12, Dave Hood rated it really liked it. This is curious, since photography has never been successful at narrative.
For an art student, this has what you szarkoowski to work towards bettering. As such, it is hoped that they may contribute to the formulation of a vocabulary and a critical perspective more fully responsive to the unique phenomena of photography.
Jun 05, Barb Swanner rated it it was amazing Shelves: Not till Muybridge successfully photographed a galloping horse in was the convention broken. Jul 04, Ray Dunsmore rated it really liked it. The variety of their imagery was prodigious. Pnotographers his nearly three-decade tenure as Director of the Department of Photography at The Museum of Modern Art, Szarkowski recast the world’s thinking about the art of photography.
These remembered pictures enlarged one’s sense of possibilities as he looked again at the real world. In other works, Backhaus records tiny monuments made by absent creators—a paintbrush soaking in a glass of cloudy pink water, white flowers framing kitchen sponges stacked on a stone ledge.
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Marks left behind by recently removed tape reveal lighter patches that have been protected from built-up grime. The trained artist could draw a head or a hand from a dozen perspectives. Professional photographer and writer. The first of these is what he calls the thing itself.
There are occasionally other sorts of photographs too and also pieces of writing about photography, art, philosophy and visual culture. Szarkowski’s compact text eloquently complements skillfully selected and sequenced groupings of photographs drawn from the entire history and range of the medium.
It’s difficult to over-estimate the effect that Szarkowski’s six page introduction had on me. The pictures show a side of China unrelated to its recent growth and its relationship with the West. In her artist statement Litvak writes about the world as a stage that hosts performances for her camera.